Kawai Musical Instrument CP95 User Manual

Digital Piano

CP95

Owner’s Manual

Thank you for choosing this Kawai CP95 Digital Piano.

Your new CP95 is a high-quality instrument offering the very latest in leading-edge music technology.

This manual contains valuable information that will help you make full use of your CP piano’s

many capabilities. Please read it carefully and keep it handy for further reference.

TABLE OF CONTENTS

Page

Important Safety Instructions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3

Assembling The Stand . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6

Part Names . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8

Getting Started

1. Basic Operations. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12

2. Style . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14

3. Transpose . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15

4. Touch Response . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16

5. Demonstration Song . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16

6. Metronome . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17

7. Registration. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18

Digital Recording Functions

1. Easy Recording. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19

2. Playing Back A Song . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19

3. Advanced Recording/Playback Functions . . . . . . . . . . . . . . . 19

4. Deleting A Song/Track . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 21

Concert Magic

1. Selecting A Song. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 22

2. Listening To The Song . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 22

3. Performing A Song . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23

4. Concert Magic Song Arrangement Types. . . . . . . . . . . . . . . . 23

Function Mode

1. Tuning . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 25

2. Temperament . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 25

3. MIDI Channel. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27

4. Local Control On/Off . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28

5. Lower Octave Shift. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28

6. Lower Pedal On/Off . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28

MIDI . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 29

List Of Preset Sounds . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31

Style List. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32

Concert Magic Song List . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 33

Specifications . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 34

Demo Song List . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 34

MIDI Implementation Chart . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 35

– 2 –

Important Safety Instructions

SAVE THESE INSTRUCTIONS

INSTRUCTIONS PERTAINING TO A RISK OF FIRE, ELECTRIC SHOCK, OR INJURY TO PERSONS

WARNING

TO REDUCE THE RISK OF

CAUTION

FIRE

ELECTRIC

SHOCK, DO NOT EXPOSE

THIS PRODUCT TO RAIN

OR MOISTURE.

RISK OF ELECTRIC SHOCK

DO NOT OPEN

AVIS : RISQUE DE CHOC ELECTRIQUE

- NE PAS OUVRIR.

TO REDUCE THE RISK OF ELECTRIC SHOCK, DO NOT REMOVE COVER (OR BACK).

NO USER-SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.

The lighting flash with arrowhead symbol, within

The exclamation point within an equilateral triangle

is intended to alert the user to the presence of

important operating and maintenance (servicing)

instructions in the leterature accompanying the

product.

an equilateral triangle, is intended to alert the user

to the presence of uninsulated "dangerous voltage"

within the product's enclosure that may be of

sufficient magnitude to constitute a risk of electric

shock to persons.

Examples of Picture Symbols

denotes that care should be taken.

The example instructs the user to take care not to allow fingers to be trapped.

denotes a prohibited operation.

The example instructs that disassembly of the product is prohibited.

denotes an operation that should be carried out.

The example instructs the user to remove the power cord plug from the AC outlet.

Read all the instructions before using the product.

WARNING - When using electric products, basic precautions should always be followed,

including the following.

Indicates a potential hazard that could result in death

WARNING _{or serious injury if the product is handled incorrectly.}

The product should be connected to

an AC outlet of the specified

voltage.

ꢀ If you are going to use an AC power cord,

make sure that its has the correct plug shape

and conforms to the specified power voltage.

ꢀ Failure to do so may result in fire.

120V

230V

240V

Do not insert or disconnect the power

cord plug with wet hands.

Doing so may cause electric shock.

The chair must be used properly(it must be

used only when playing the product).

Doing so may cause the chair to fall over or your

fingers to be trapped, resulting in injury.

ꢀꢀDo not play with it or stand on it.

ꢀꢀOnly one person is allowed to sit on it.

ꢀꢀDo not sit on it when opening the lid.

When using the headphones, do not

listen for long periods of

time at high volume levels.

Doing so may result in hearing problems.

– 3 –

e keyboard.

Doing so may cause the product to fall over,

resulting in injury.

repair or modify

Doing somayresult in product breakdown,electric

shock or short-circuit.

ꢀ Pulling the AC power cord itself may damage

the cord, causing a fire, electric shock or

short-circuit.

eACpowercord's

plug

mpletely disconnected from the

en the power switch is turned

ot be used for a long time,

cord from the AC outlet.

ꢀ Failure to do so may cause fire in case of

lightning.

ꢀ Failure to do so may over-heat the product,

resulting in fire.

quipped with a polarized line plug (one blade

This is a safety feature.

sert the plug into the outlet, contact an

our obsolete outlet.

y purpose of the plug.

Indicates a potential hazard that could result in injury

or damage to the product or other

CAUTION

n the following areas.

Using the product in such areas may result in

product breakdown.

ear windows, where the product is

ight

uch as near a heater

such as outside

mount of sand or dust is present

uct is exposed to excessive

keyboard cover,

Closing it roughly may trap your fingers, resulting

in injury.

OFF

ords, make sure

product

urned

Failure to do so may cause breakdown of this

product and other devices.

ow any foreign

oduct.

Entry of water, needles or hair pins may result

in breakdown or short-circuit.

The product shall not be exposed to dripping or

splashing. No objects filled with liquids, such as

vases, shall be placed on the product.

Please lift up the product when moving it.

Please note that the product is heavy and must

be carried by more than two persons.

uct on the floor.

the product.

Dropping the product may result in breakdown.

ꢀ Doing so may cause the product to generate

noise.

ꢀ If the product generates noise, move the

product sufficiently away from the electrical

appliance or connect it to another AC outlet.

ct near electrical

Vs and

e AC power cord

care

Failure to do so may damage them, resulting in

fire, electric shock or short-circuit.

– 4 –

ꢀ Doing so may result in discoloration or deformation

Do not wipe the product with benzene

or thinner.

of the product.

ꢀ When cleaning the product, put a soft cloth in

lukewarm water, squeeze it well,then wipe the

product.

ꢀ Doing so may cause the product to become

deformed or fall over, resulting in breakdown

or injury.

Do not stand on the product or exert

excessive force.

The product should be located so that its location or position does not interfere with its proper

ventilation.

This product should be used only with the stand that is provided by the manufacturer.

The product should be serviced by qualified service personnel when:

ꢀꢀThe power supply cord or the plug has been damaged.

ꢀꢀObjects have fallen, or liquid has been spilled into the product.

ꢀꢀThe product has been exposed to rain.

ꢀꢀThe product does not appear to operate normally or exhibits a marked change in

performance.

ꢀꢀThe product has been dropped, or the enclosure damaged.

Notes on Repair

Should an abnormality occur in the product, immediately turn the power OFF, disconnect the

power cord plug, and then contact the shop from which the product was purchased.

• This digital piano is for household use and is not intended for commercial use.

CAUTION:

To prevent electric shock, match wide blade of plug to wide slot, fully insert.

ATTENTION:

Pour éviter les chocs électriques, introduire la lame la plus large de la fiche dans la borne

correspondante de la prise et pousser jusqu'au fond.

Instruction for AC power cord (U.K.)

Do not plug either terminal of the power cord to the ground of the AC outlet on the wall.

FCC Information

This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the

FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential

installation. This equipment generates, uses and can radiate radio frequency energy and, if not installed and used in

accordance with the instructions, may cause harmful interference to radio communications.

If this equipment does cause harmful interference to radio or television reception, which can be determined by turning the

equipment off and on, the user is encouraged to try to correct the interference by one or more of the following measures:

• Reorient or relocate the receiving antenna.

• Increase the separation between the equipment and receiver.

• Connect the equipment into an outlet on a different electrical circuit from the receiver.

• Consult the dealer or an experienced radio/TV technician for help.

Canadian Radio Interference Regulations

This instrument complies with the limits for a class B digital apparatus, pursuant to the Radio Interference

Regulations, C.R.C., c. 1374.

– 5 –

ASSEMBLING THE STAND

Be sure that all parts are included before starting to assemble your unit.

PARTS PROVIDED

Side Panel (A). . . . . . . . 2 pcs.

Back Panel (B) . . . . . . . 1 pc.

Pedal Board (C) . . . . . . 1 pc.

Screw (D) . . . . . . . . . . . 2 pcs.

Screw (E) . . . . . . . . . . . 4 pcs.

Bolt (F) . . . . . . . . . . . . . 8 pcs.

Adjuster (G) . . . . . . . . . 1 pc.

Cord Clamp (H) . . . . . . 1 pc.

(F)

(D)

(E)

(H)

1. Insert the Adjuster (G) on the bottom of

Pedal Board (C). Fasten (A) and (C) with four

bolts (F).

Bottom View

(G)

(F)

(A)

(C)

(A)

2. Fasten Side Panel (A) and Back Panel (B)

with two screws (D). Then fix Back Panel

(B) to Pedal Board (C) with four screws (E).

(D)

(C)

(E)

(B)

– 6 –

3. Place the piano on the front half of the stand

so that the metal fitting holes are seen when

viewed from the top. Slide the piano backward

while holding it with one hand so that it does

not incline and fall from the stand. The hooks

on the piano are then engaged with the metal

fittings on the Side Panels. Pay attention so

that your hand or fingers are not caught

between the stand and piano. Fasten the piano

and the stand with four bolts(F).

(F)

Hand or Finger

catching hazard

CAUTION: Be sure to secure the piano to

the stand with the screws. If you fail to do

so, the unit could fall from the stand causing

damage or personal injury.

4. Insert the pedal connection cord that comes

from Pedal Board (C) into the piano’s pedal

jack and fasten with cord clamps.

(H)

Bottom View

5. Turn the Adjuster (installed on the bottom

of C) until it touches the floor to support the

pedal board.

– 7 –

PART NAMES

MASTER VOLUME SLIDER (A)

Move the volume slider to the right to increase the instrument’s volume. Move the slider to the left

to decrease the volume.

STYLE BUTTONS (B)

These buttons are used to select different styles to accompany your playing.

METRONOME BUTTON (C)

This button is used to start/stop the metronome.

REGISTRATION BUTTON (D)

This button is used to memorize and recall up to six of your favourite panel settings.

1-2 PLAY BUTTON (E)

This button is used to automatically choose an appropriate sound and setup for the selected style.

ACC BUTTON (F)

This button is used to turn the auto accompaniment style function on/off.

SYNC BUTTON (G)

When active, the accompaniment style will start as soon as you play a note or chord on the keyboard.

FILL IN BUTTON (H)

This button is used to play a short fill in section that embellishes the style and leads to the next

section.

START/STOP BUTTON (I)

This button is used to start and stop the accompaniment style.

INTRO/ENDING BUTTON (J)

This button is used to play an intro section that leads into the style. If you press this button while

the style is playing an ending section will be played before stopping.

VALUE BUTTONS (K)

This buttons are used to adjust tempo, scroll through different selections, and adjust data values on

the LED display.

FRONT PANEL

E F G H

I J

C D

– 8 –

REVERB BUTTON (L)

This button turns the Reverb on/off.

EFFECT BUTTON (M)

This button turns the Effect on/off.

DUAL/SPLIT/RHYTHM BALANCE SLIDER (N)

This slider adjusts the volume balance of the two sounds used in Dual mode or Split mode.

Also adjusts the volume of the accompaniment style.

SOUND BUTTONS (O)

These buttons are used to select the desired sound category. Use the VALUE buttons to select a

sound within the category.

SPLIT BUTTON (P)

This button activates the split function. The split function divides the keyboard into

two sections—upper and lower—and lets you play each section with a different sound.

RECORDER BUTTONS (Q)

The PLAY/STOP button is used to play back and stop a recorded song.

The REC button is used to start recording a song.

You can record and play back up to three songs.

FUNCTION BUTTONS (R)

These buttons are used to select a touch type, transpose the keyboard, and control other features

(including MIDI functions).

DEMO/CONCERT MAGIC BUTTON (S)

To listen to all the demos, simply press this button and the demos will start. Three musical pieces

will be played back in order until the DEMO/CONCERT MAGIC button is pressed again to stop.

To select a specific demo, use the VALUE buttons while the demo is playing. To stop the demo,

press this button again.

To listen to a Concert Magic song, press the key to which your desired song is assigned while

holding down this button. The LED display shows you the song number. Then press the PLAY/

STOP button. To stop play back of the song, press the PLAY/STOP button again. To perform a

song, tap out the rhythm of the selected song on any one of the black or white keys on your piano

keyboard.

L M

– 9 –

POWER BUTTON (a)

This button turns the instrument on and off. Be sure to turn off the instrument when you are

finished playing.

SOFT PEDAL (b)

Depressing this pedal softens the sound and also reduces its volume.

SOSTENUTO PEDAL (c)

Depressing this pedal after playing the keyboard and before releasing the keys sustains the sound

of only the keys just played.

SUSTAIN PEDAL (d)

Depressing this pedal sustains the sound even after you remove your hands from the keyboard.

– 10 –

LINE OUT JACKS (e)

These jacks are used to connect an external amplifier and speakers, or a cassette recorder to the

CP piano.

LINE IN JACKS (f)

These jacks are used to connect stereo outputs from other audio equipment or electronic instruments

to the CP piano’s speakers.

MIDI JACKS (g)

These jacks are used to connect the CP piano with external MIDI devices.

PEDAL JACK (h)

Connect the pedal cord from the pedal board to this jack.

HEADPHONES JACKS (i)

These jacks are used to connect up to two headphones to the CP95.

BOTTOM

– 11 –

GETTING STARTED

1. BASIC OPERATIONS

(1) Turn on the power.

You will find the POWER SWITCH at the right end of the front panel.

Press this button to turn on the power. Pressing it again will turn off the

power.

(2) Adjust the volume.

Play a note on the keyboard and adjust the volume (Moving the slider to

the right raises the volume while moving to the left lowers it.)

(3) Select a sound.

Pressing a SOUND button selects the assigned sound category and the

LED for that SOUND button will light. Pressing the SOUND button again

will switch to the alternate sound category assigned to that SOUND button.

There are eight sounds assigned to each sound category. While holding

down a SOUND button, use the VALUE buttons to select the different

sounds. The LED display will briefly show you the active sound number

whenever you press a SOUND button. If you want to confirm the active

sound for a sound category when the LED display is off, press and hold

the desired SOUND button and the active sound number for the selected

sound category will be displayed.

(4) Play.

Experiment by playing the different sounds.

(5) Dual

Another feature of the CP piano is the ability to layer two preset sounds

together to create a more complex sound. For example, piano layered

with strings, e. piano with bass sound, and so on.

To layer two sounds, first select a variation for each sound category

seperately using the SOUND buttons and VALUE buttons. Then press

those two SOUND buttons simultaneously. The LED indicators for both

SOUND buttons will be turned on to indicate your sound selections

You can adjust the volume balance between the two sounds. Use the Dual/

Split/Rhythm Balance slider to adjust the balance. Move the slider to

the right to increase the volume of the rightmost preset sound and decrease

the volume of the leftmost preset sound. The balance changes in the

opposite way when the slider is moved to the left.

(6) Split

The CP piano provides you with another type of sound combination called

a split. The split function divides the keyboard into two sections-upper

– 12 –

keyboard and lower keyboard-and lets you play a different sound in each

section.

Press the SPLIT button to activate the split function. First choose the

sound you would like to use for the upper keyboard. Then, while

holding down the SPLIT button, choose the sound for the lower

keyboard.

You can adjust the volume balance between the two sounds. Use the Dual/

Split/Rhythm Balance slider to adjust the balance. Move the slider to

the right to increase the volume of the upper sound and decrease the

volume of the lower sound. The balance changes in the opposite way

when the slider is moved to the left.

The split point determines where the upper keyboard section will be divided

from the lower one. You can move the split point to any key you like. The

default split point is set between F2 and F#2. This point can be moved to

anywhere on the keyboard. Press the desired key while holding down

the SPLIT button. The key you pressed becomes the lowermost note for

the upper section.

ABOUT POLYPHONY

The CP piano is capable of playing up to 64 notes simultaneously (64-note

polyphony). When playing in dual mode or when playing the stereo piano

sound, the polyphony will be reduced by half since the piano has to produce

two sounds for each note.

(7) Reverb

-REVERB adds reverberation to the sound simulating the acoustic

environment of a recital room or concert hall.

There are six types of reverb in the CP95. They are Small Room, Medium

Room, Large Room, Medium Hall, Large Hall and Plate.

To add reverb to the sound, press the REVERB button. The LED

indicator will be turned on and the LED will show you which type of

reverb is currently selected.

To change the reverb type, use the VALUE buttons while holding down

the REVERB button.

The reverb is “ON” when the LED of the REVERB button is lit.

Pressing the REVERB button once again turns the reverb “OFF”.

When the power is turned on, the reverb function is automatically activated.

Large Hall

Plate

Medium Hall

Large Room

Small Room Medium Room

– 13 –

-Adding an effect to the sound enhances tonal quality and improves

acoustical realism.

There are twelve types of effect in the CP95. They are Chorus 1, Chorus

2, Chorus 3, Chorus 4, FB Chorus, Tremolo, Rotary 1, Rotary 2, Flanger,

Delay 1, Delay 2 and Delay 3.

To add an effect to the sound, press the EFFECTS button. The LED

indicator will be turned on and the LED display will show you which

effect is currently selected.

To change the effect type, use the VALUE buttons while holding down

the EFFECT button.

Pressing the EFFECT button once again turns the effect “OFF”.

FB Chorus

Chorus 4

Tremolo

Rotary 2

Flanger

Delay 3

2. STYLE

(1) Select a style.

Press one of the STYLE buttons. The LED of the selected STYLE button

will light to indicate which style is currently in being used. Pressing the

active STYLE button again will switch to the alternative style of the STYLE

button. The LED display shows the variation number briefly when you

press a STYLE button. Each STYLE button has six variations. Use the

VALUE buttons to explore the style variations while the LED display is

showing the variation number.

(2) Start the style.

Pressing the START/STOP button will start the style. Pressing it again

will stop the style.

Pressing the INTRO/ENDING button will start the style with an intro

section. Pressing it again will stop the style with an ending section.

Pressing the FILL IN button while the style is running will play a short fill

in section which embellishes the style and leads to the next variation section.

When the SYNC button is pressed, the style will not start until you play a

note or chord on the keyboard.

– 14 –

(3) Adjust the Tempo.

You can adjust the tempo by using the VALUE buttons. The tempo is

shown in the LED display when the style is running . If the tempo is not

shown in the LED display, touching the VALUE buttons will activate the

LED display to show the tempo.

(4) Turn on the accompaniment.

When the ACC button is pressed, the CP piano will play a complete

accompaniment style. In addition, the keyboard will be split into two

sections-upper and lower keyboard. When the ACC button is turned OFF

only the rhythm accompaniment will be played. With the ACC button

ON, when you play a chord in the lower keyboard the accompaniment

style will automatically follow the chords you play. The accompaniment

system is capable of following single finger as well as more complex chord

voicings. If you want to change the volume for the style, use the Dual/

Split/Rhythm Balance slider while holding down theACC button. The

LED display shows you the volume level for the style from 0 (soft) to 127

(loud). If you want to change the split point for the lower keyboard, press

a key on the keyboard while holding down theACC button. The pressed

key will be the lowest note for the upper keyboard.

(5) 1-2 Play mode

When the 1-2 PLAY button is activated, the CP piano will automatically

choose an appropriate sound setup and tempo for the selected style.

You can adjust the volume of the accompaniment style by using Dual/

Split/Rhythm Balance slider.

3. TRANSPOSE

The transpose function lets you raise or lower the piano’s key in half steps.

This is especially useful when you have learned a song in one key and

have to play it in another key. The transpose feature allows you to play the

song in the original key, but hear it in another key.

To transpose the keyboard, press and hold the TRANSPOSE button.

The LED display shows you the current value. The value is always set to

“0” when the power is turned on.

Value: 0

Value: -5

While still holding the TRANSPOSE button, use the VALUE buttons

or the keyboard from C2 to C4 to specify the transposition amount.

The LED display shows you a number telling you how many half steps up

or down you have transposed the piano. -5, for example, represents a

transposition that is 5 half steps lower. “0” indicates no transposition.

– 15 –

The piano can be transposed up to 12 half steps higher or 12 half steps

lower.

Pressing TRANSPOSE button again turns the transpose function off.

The TRANSPOSE function remembers the current setting as long as the

power is on.

4. TOUCH RESPONSE

When playing a piano, the volume of the sound produced increases in

direct relation to how hard a key is struck. The CPpiano offers the realistic

feel of an acoustic piano for practicing music. The touch response function

simulates the standard touch of an acoustic piano when the LED of the

TOUCH button is off. When the LED of the TOUCH button is lit, you can

select other touch types as follows.

Light 1 / 2 (Lt):

For those still developing finger strength, such as a

child, a louder sound is produced even when the piano

is played with a soft touch. Light 2 is lighter than

Light 1.

LIGHT 1

HEAVY 2

Heavy 1 / 2 (HE):

Perfect for those with strong fingers or for practicing

with a hard touch. Heavy 2 is heavier than Heavy 1.

Off (oFF):

For tone colors like organ or harpsichord, and for

playing some contemporary music with the piano

sound, a constant loud sound is produced regardless

of your force on the keys.

OFF

To change the touch type, press and hold the TOUCH button. The

LED display shows you the current touch type. While holding the TOUCH

button, use the VALUE buttons to change the touch type.

Press the TOUCH button again to get back to the standard touch

setting.

Once the power is turned off, the touch type will be reset to the standard

setting.

5. DEMONSTRATION SONG

The CP piano has 3 built in demonstration songs for your listening

enjoyment.

Press the DEMO/CONCERT MAGIC button and the first demo song

– 16 –

will start. The LED display shows the demo song number. When the first

demo song is finished, the CP piano will play all the other demo songs one

at a time in order.

If you would like to listen to a particular demo song, use the VALUE

buttons to select your desired song.

To stop the demo, press the DEMO/CONCERT MAGIC button again

at any time.

6.METRONOME

Rhythm is one of the most important elements when learning music. It is

important to practice playing the piano in the right tempo and with a steady

rhythm. The CP piano’s metronome is a tool that helps you to achieve this

by providing a steady beat for you play along with.

Starting the Metronome

Press the METRONOME button. You will see the LED display turns

on and hear the metronome begin counting with a steady beat. The LED

display shows the tempo in beats per minute

To change the tempo, use the VALUE buttons to increase or decrease

the tempo within the range of 30-250 beats per minute. (60-500 BPM

with 6/8).

To stop the metronome, press the METRONOME button again.

Changing the time signature

You probably noticed that there are two types of clicks and the louder one

comes every fourth beat. The metronome is capable of giving you a down

beat to indicate the beginning of the measure. You are now hearing a 4-

beat or 4/4 time signature.

You can select different a time signature if you want to out of the six

available with the CP piano—1/4, 2/4, 3/4, 4/4, 5/4 and 6/8.

To change the time signature, press and hold the METRONOME button.

The LED display shows you the time signature. While holding down the

METRONOME button, Use the VALUE buttons to select your desired

time signature.

Adjusting the Metronome Volume

The volume level of metronome can be adjusted to any level you like

independent of the main volume.

Press and hold the METRONOME button. While still holding down

the METRONOME button, use the Dual/Split/Rhythm Balance slider

to adjust the metronome volume. The LED display shows the volume

level from 0 (soft) to 127 (loud). The factory preset is 80.

– 17 –

7. REGISTRATION

A Registration is a setup that remembers most of the panel setting, such as

sound selections and effect settings, so that you can recall them at the

touch of a button. Six Registrations can be memorized and saved.

(1) To memorize the current panel settings, press and hold the

REGISTRATION button. While holding down the REGISTRATION

button, press any one of the STYLE buttons marked 1 through 6 to

select a location for your new Registration. Continue holding both the

REGISTRATION button and the selected STYLE button until R and your

selected location number (1-6) appears in the LED. Your registration has

now been saved to your selected location.

Registration 6

(2) To recall a registration, first press the REGISTRATION button and

make sure its LED is lit. Then press one of the STYLE buttons marked

1 through 6 to select the desired registration.

– 18 –

DIGITAL RECORDING FUNCTIONS

1. EASY RECORDING

Press the REC button. The CP piano is now ready to record. To cancel

the recording, press the REC button again.

Begin playing some music on the piano. The CPpiano will automatically

start recording with the first note you play. You can also start recording by

pressing the PLAY/STOP button.

Press the PLAY/STOP button when you have finished recording.

NOTE:

Starting another recording will delete the song you previously recorded.

2. PLAYING BACK A SONG

Press the PLAY/STOP button. The song will be played back using the

same tone (sound) with which it was recorded.

Press the PLAY/STOP button once again to stop the playback. If you

do not press the PLAY/STOPbutton, playback will automatically stop when

the song is finished.

You can adjust the tempo of playback by using the VALUE buttons.

3. ADVANCED RECORDING/PLAYBACK FUNCTIONS

RECORDING MORE SONGS

The CP piano can record and store a maximum of 3 songs. Please follow

the steps below to save your songs:

While holding down the REC button, press the Song 2 button.

The LED will light to show the current song number (while the REC button

is held down). The piano is now ready to record (Song 2). To cancel

without recording, press the REC button again.

Play the piano. Playing the piano will automatically start the recording.

You can also start recording by pressing the PLAY/STOP button.

– 19 –

Press the PLAY/STOP button after you have finished recording.

Holding down the PLAY/STOP button, press the SONG 2 button.

Releasing both buttons will play Song No.2. Playback will automatically

stop when the song is finished. You can adjust the tempo of playback

by using the VALUE buttons.

RECORDING/PLAYING BACK THE LEFT AND RIGHT HAND PARTS

SEPARATELY

The CP piano can record the parts played by the left or right hand and play

back these parts separately or simultaneously. This function can be enjoyed

in different ways. For example, you can practice the right-hand part of the

song while playing back the recorded left-hand part, or record the melody

part of the song while playing back the previously recorded accompaniment.

While holding down the REC button, press the SONG 3 button to

select Song No.3. Track 1 of Song No.3 will be selected and the CP piano

is now ready to record. To cancel without recording, press the REC

button again.

Play the piano with your left hand. Playing the piano will automatically

start the recording. You can also start recording by pressing the PLAY/

STOP button.

Press the PLAY/STOP button after you have finished recording.

Now, to play back the left-hand part, press the PLAY/STOP button.

The left-hand part you have recorded (Track 1 of Song No.3) will be played

back. You can practice the right-hand part along with the recorded part.

You can adjust the tempo of playback by using the VALUE buttons.

Let’s record the right-hand part while listening to the left-hand part.

While holding down the REC button, press the TRACK 2 button. The

Track 1 LED will light and the Track 2 LED will flash to indicate that the

piano is now ready to record Track 2. To cancel without recording, press

the REC switch again.

Now play the right-hand part. Pressing any key will start play back of

the recorded left-hand part (Track 1) while you play (and record) the

right-hand part. You can also start recording by pressing the PLAY/

STOP button. After pressing the PLAY/STOPbutton the left-hand part

will begin playing back, you can then begin playing (recording) the

right hand part from any point in the song you like.

Press the PLAY/STOP button after you have finished recording.

– 20 –

NOTE:

If you play with the style (rhythm and accompaniment), it is also recorded

but only on track 1.

PLAYING BACK THE LEFT- AND RIGHT-HAND PARTS SEPARATELY

After you have recorded the left- and right-hand parts (Track 1 and Track

2) separately, it is possible to play back the two parts by themselves or

together. The following example shows how to play back only Track 2.

Select and press one of the SONG buttons (Song 1, Song 2 or Song 3)

while pressing the PLAY/STOP button.

While holding down the PLAY/STOP button, press the TRACK 1

button.

The TRACK 1 button LED will be turned “off”. If you need to turn Track

1 back “on”, press the TRACK 1 button once again.

Releasing both buttons will play back only Track 2. You can adjust

the tempo of playback by using the VALUE buttons.

4. DELETING A SONG/TRACK

This function allows you to delete songs that were not recorded correctly

or songs that you do not want to listen to any more.

Simultaneously hold down the PLAY/STOP and REC buttons.

The LEDs will light to show you where songs have been recorded.

While holding down both the PLAY/STOP and REC buttons, press

the SONG button that corresponds to the song you want to delete.

While still holding down both the PLAY/STOPand REC buttons, press

the TRACK button that you want to delete and turn the LED of that

TRACK button off.

To delete more than one song, repeat the above procedure.

NOTE:

– The total memory capacity of the recorder is approximately 7,000 notes.

When the recorder reaches its maximum capacity, the CP piano will stop

recording at this point. Any data recorded before the interruption will be

retained.

– To delete all recorded songs (reset), first turn the power off and then

turn it back on again while holding down both the PLAY/STOP and

REC buttons.

– 21 –

CONCERT MAGIC

The great German composer Johann Sebastian Bach once said, “Playing

the keyboard is simple. Just strike right keys at the right time.” Many

people wish it were that simple. The reality is very different of course.

However, there is a way to make playing the keyboard very simple. You

don’t even have to strike right keys thanks to Concert Magic.

With Concert Magic, absolutely anyone can sit at the CP piano and make

real music… even if you’ve never taken a piano lesson in your life.

To enjoy performing by yourself, you have only to select your favorite

piece from 40 preprogrammed songs and tap any of the 88 keys with a

steady rhythm and tempo. Concert Magic will provide the correct melody

and accompaniment notes, regardless of which keys you press. Anybody,

young or old, can enjoy Concert Magic from the moment they sit down at

the CP piano.

Now let’s see how Concert Magic works.

1.SELECTING A SONG

The 40 Concert Magic songs are assigned to each of the 40 white keys,

classified in six groups by song category such as Children’s Songs,

American Classics, Christmas Songs.

All of the song titles are listed on page 32.

To select a song, press the key to which your desired song is assigned

while holding down the DEMO/CONCERT MAGIC button.

1 2 3

4 5 6 7

2.LISTENING TO THE SONG

If you have selected a song you are familiar with, you may want to play by

yourself right away. However you may want to listen to the song first

before playing it.

To listen, press the PLAY/STOPbutton. The CP piano will start playing

back the selected song. When the demo song is finished, press the START/

STOP button again to stop. Otherwise the CP piano will play all the other

Concert Magic songs one at a time in order.

If you want to listen to a different song, repeat the same procedure to select

a song.

– 22 –

3.PERFORMING A SONG

Now you’re ready to play yourself.

Tap out the rhythm of the selected song on any one of the 88 black or

white keys on your piano keyboard. As you tap harder, the notes will

get louder; as you tap softer, the notes will get quieter. As you tap faster,

the notes speed up; as you tap slower, they will slow down correspondingly,

just like regular piano playing.

Isn’t it fun? You can sound like you’ve been playing for years just by

pressing one key with one finger.

Concert Magic is a perfect method for small children to learn music,

especially to develop a sense of rhythm. For older people who may think

it is too late to learn the keyboard, Concert Magic is a good first step for

them to begin with. With Concert Magic, your CP piano can be enjoyed

by anyone in the family, even those who have never touched a musical

instrument in their life.

4.CONCERT MAGIC SONG ARRANGEMENT TYPES

After playing for a while with Concert Magic you may think that it’s too

easy and there is very little to learn.

While it is true that some of the songs are very easy to play, even for

beginners, there are also some which will challenge you and require some

practice to play beautifully. Each of the 40 Concert Magic songs falls into

one of three different categories depending on the skill level required to

perform them.

Easy Beat

These are the easiest songs to play. To perform them, simply tap out a

constant steady beat on any key on your piano keyboard.

Look at the following example, “Für Elise”. Press the key with a steady

sixteenth note rhythm.

Key on

x x x x x x x x x x x x x x x x x x x x

#œ #œ

nœ

≈

#œ

& 8

#œ

≈ ‰

? 3

∑

≈ ‰

– 23 –

Melody Play

These songs are also quite easy to play, especially if they are familiar to

you. To perform them, tap out the rhythm of the melody on any one of the

keys on your piano keyboard. Singing along as you tap the rhythm can be

helpful.

Key on

x x x x

œ œ

œ œ ˙

œ ˙

Play “Twinkle, Twinkle, Little Star” for example. Follow the melody’s

rhythm as shown.

When performing fast songs with Concert Magic, it is sometimes easier to

tap two different keys with two fingers alternating. This allows you to

play twice as fast as you can using only one finger on one key.

Skillful

These songs range in difficulty from moderately difficult to difficult. To

perform them, tap out the rhythm of both the melody and the

accompaniment notes on any of the keys on your piano keyboard, like

“Waltz of The Flowers” shown below.

Key on

x x x

œ ˙.

˙.

œ œ œ

œ œ

œ œ œ

bœ œ œ

œ œ œ

œ œ

? # 3 œ œ œ

It may take some practice to get them just right. A good way to learn these

songs is to listen to them first, and then try to tap out the rhythms that you

hear.

In the song list on page 32, the arrangement type is marked next to each

song title as “EB” for Easy Beat, “MP” for Melody Play and “SK” for

Skillful.

– 24 –

FUNCTION MODE

The Function Mode gives you access to many other useful features on

your CP piano. To enter the Function Mode, press the TOUCH and

TRANSPOSE buttons at the same time. The LEDs for both buttons

will flash. Press one of the following sound buttons to choose a function

to edit. To exit the Function Mode, press either the TOUCH btton or

TRANSPOSE button.

The following functions can be selected in the Function Mode:

Tuning (E. PIANO button)

Temperament (DRAWBAR button)

MIDI Channel (STRINGS button)

Local Control On/Off (WOOD-WIND button)

Lower Octave Shift (BASS button)

Lower Pedal On/Off (VOCAL/PAD button)

1. TUNING

This function allows you to adjust the piano’s pitch. You may need to

adjust the tuning when you play with other instruments or recordings.

Press the E. PIANO button while in the function mode. The LED

display shows you a number that represents the pitch for “A” in Hz

(Hertz). The range of adjustment is from 427.0 to 453.0 Hz (displayed

as 27.0–53.0). The factory preset value is set to the modern standard

A = 440.0 Hz (displayed as 40.0).

Pitch:

440.0 Hz

Use the VALUE buttons to raise or lower the pitch.

2. TEMPERAMENT

The CP piano offers not only equal temperament (the modern standard)

but also immediate access to temperaments popular during the Renaissance

and Baroque periods. It should be interesting and educational to try some

of the different temperaments, although the equal temperament is dominant

today.

Press the DRAWBAR button while in the function mode. The LED

display shows you an abbreviation for the type of temperament currently

selected. Use the VALUE buttons to select your desired temperament.

Temperament

(Equal)

After you have selected the desired temperament, you must select a key

signature for the temperament. Limitless modulation of the key became

available only after the invention of Equal temperament. When we use a

temperament other than Equal temperament, we must carefully choose the

key signature to play in.

– 25 –

To select the key signature of the temperament, simply press one of

the 88 piano keys. The LED display shows you the note name for the key

you pressed and it will be chosen as the key of the temperament. For

example, if the song you are going to play is written in D major, press any

“D” key to set the temperament key.

Key in D

Key in A#

BRIEF EXPLANATION OF TEMPERAMENTS

EQUAL TEMPERAMENT (PIANO ONLY)

Equal(P.only)

This is the default temperament. If a piano sound is selected the tuning is

stretched like an acoustic piano (EQUALTEMPERAMENT). If any other

type of sound is selected the tuning will be EQUAL(FLAT). An explantion

of EQUAL TEMPERAMENT and EQUALTEMPERAMENT (FLAT) is

provided later in this section.

NOTE:

If a piano sound is used in a layer with any other sound then both sounds

will use the EQUAL TEMPERAMENT (Stretched) tuning.

MERSENNE PURE TEMPERAMENT(Major)

MERSENNE PURE TEMPERAMENT(Minor)

Pure(Major)

Pure(minor)

This temperament, which eliminates dissonances for thirds and fifths is

still popular for choral music because of its perfect harmony.

You need to be aware what key you are playing in with this temperament.

Any key modulation will result in dissonances. When you play music in a

particular key, you need to match the key of the temperament as well.

When playing in a major key select Pure (Major) and when playing in a

minor key select Pure (minor).

PYTHAGOREAN TEMPERAMENT

This temperament, which uses mathematical ratios to eliminate dissonance

for fifths, is very limited for use with chords, but it produces very

characteristic melodic lines.

Pythagorean

Meantone

MEANTONE TEMPERAMENT

This temperament, which uses a mean between a major and minor whole

tone to eliminate dissonance for thirds, was devised to eliminate the lack

of consonances experienced with certain fifths for the Mersenne pure

temperament. It produces chords that are more beautiful than those with

the equal temperament.

– 26 –

WERCKMEISTER III TEMPERAMENT,

KIRNBERGER III TEMPERAMENT

Werckmeister

Kirnberger

These two temperaments are placed in between Meantone and Pythagorean.

For music with few accidentals, this temperament produces the beautiful

chords of the mean tone, but as accidentals increase, the temperament

produces the characteristic melodies of the Pythagorean temperament. It

is used primarily for classical music written in the Baroque era to revive

the original characteristics.

EQUAL TEMPERAMENT(FLAT)

This is “unstretched” equal temperament that divides the scale into twelve

equal semitones. This produces the same chordal intervals in all twelve

keys, and has the advantage of limitless modulation of the key. However

the tonality of each key becomes less characteristic and no chord is in pure

consonance.

Equal(Flat)

EQUAL TEMPERAMENT

This is the most popular piano temperament. The hearing ability of a

human is uneven and is not as accurate with high frequency and low

frequency as it is with the middle range. This temperament’s tuning is

stretched to compensate for this so the sound will be heard naturally to the

ears. This “Stretched” equal temperament is a practical variation of the

“unstretched” equal temperament which was invented on a mathematical

basis.

Equal

3. MIDI Channel

This function determines on which channel the CP piano will exchange

MIDI data with an external MIDI device or personal computer.

Press the STRINGS button while in the function mode. The LED display

shows you the currently selected channel number. The default channel is

Use the VALUE buttons to select your desired MIDI channel, 1-16.

When the power is first turned on, the CP piano always selects channel 1.

Channel 15

– 27 –

4. Local Control On/Off

This function determines whether the CP piano’s sound will be played

from the piano’s keyboard (“On”) or only from an external MIDI instrument

(“Off”).

Even with local control “Off” the piano’s keyboard will still transmit to an

external MIDI instrument or personal computer.

Local Control

Press the WOOD-WIND button while in the function mode. The LED

display shows you “On” or “Off”. The initial value is “On”.

Local Control

OFF

Use the VALUE buttons to turn local control “On” and “Off”

5. Lower Octave Shift

This function allows the octave of the lower part to be shifted up one, two,

or three octaves higher when theACC button or SPLIT button is activated.

Press the BASS button while in the function mode. The LED display

shows you the octave shift value. The default value is 0.

Use the VALUE buttons to set the desired lower octave shift range

(between 0 to 3).

1 Octave

Shift

6. Lower Pedal On/Off

This function determines if the sustain pedal will be active for the lower

sound when the ACC button or SPLIT button is activated. The default

setting is “Off” which means the sustain pedal is not active for the lower

sound.

Press the VOCAL/PAD button while in the function mode. The LED

display shows you “On” or “Off” The initial value is “Off”.

Sustain

pedal

OFF

Use the VALUE buttons to turn Lower pedal “On” and “Off”

– 28 –

MIDI

The term MIDI is an acronym for Musical Instrument Digital Interface, an

international standard for connecting synthesizers, sequencers (digital

recorders) and other electronic instruments so that they can exchange

performance data.

The CP95 is equipped with two MIDI jacks for exchanging data: MIDI IN

and MIDI OUT. Each uses a special cable with a DIN connector.

MIDI IN : For receiving note, program change and other data.

MIDI OUT : For sending note, program change and other data.

MIDI EXAMPLES

(1) Connection to another MIDI compatible keyboard or sound

generator module

When connected as shown in the illustration, data on how the digital piano

is played (which keys are struck) can be sent to another MIDI instrument.

Plus, the sound from the CP95 can be layered over the sound of the other

instrument.

CP95

MIDI IN

OUT

MIDI

Digital Synthesizer

MIDI cable

CP95's Piano sound

Synthesizer's String sound

– 29 –

(2) Connection to an external sequencer

When connected as shown in the illustration, you can record songs played

on the CP95 with a sequencer, and use the CP95’s tones controlled by the

CP95’s MULTI-TIMBRAL MODE function to create a multi-layer MIDI

recording.

CP95

OUT

MIDI OUT

MIDI

MIDI IN

MIDI cable

MIDI Sequencer

– 30 –

LIST OF PRESET SOUND

PIANO

E. PIANO

GUITAR

BASS

1. Concert Grand

2. Studio Grand

3. Mellow Grand

4. Modern Piano

5. Rock Grand

6. Honky Tonk

7. Electric Grand

8. Electric Grand 2

1. Modern EP

2. Modern EP 2

3. Modern EP 3

4. Classic EP

5. Classic EP 2

6. Classic EP 3

7. 60's EP

1. Nylon Acoustic

2. Nylon Acoustic 2 2. Finger Bass

1. Acoustic Bass

3. Steel Guitar

4. 12 Strings

5. Jazz Guitar

6. Electric Guitar

7. Rhythm Guitar

8. Distortion

3. Finger Slap Bass

4. Pick Bass

5. Fretless Bass

6. Slap Bass

7. Slap Bass 2

8. Synth Bass

8. EP Legend

HARPSI & MALLET

1. Harpsichord

2. Harpsichord Octave

3. Vibraphone

4. Marimba

DRAWBAR

1. Percussive Organ

2. Percussive Organ 2 2. Classic Synth 2

3. Percussive Organ 3 3. Classic Synth 3

4. Drawbar

SYNTH

1. Classic Synth

VOCAL/PAD

1. Choir Aahs

2. Voice Oohs

3. Synth Vocal

4. Itopia

4. Lead

5. Clavi

6. Glockenspiel

7. Music Box

5. Drawbar 2

6. Drawbar 3

7. 60's Organ

8. Rock Organ

5. Polysynth

6. Sequenced Analog 6. Atmosphere

7. Square

8. Sine

5. New Age

7. Sweep

8. Brightness

8. Steel Drums

ORGAN & ACCORDION STRINGS

SPECIALTY

SFX

1. Church Organ

2. Church Organ 2

3. Church Organ 3

4. Reed Organ

5. Puff Organ

6. Accordion

1. String Ensemble

2. String Ensemble 2 2. Fiddle

3. Synth Strings

4. Synth Strings 2

5. 60's Strings

6. Violin

1. Harmonica

1. Seashore

2. Rain

3. Thunder

4. Wind

5. Stream

6. Wind Chime

7. Laughing

8. Applause

3. Banjo

4. Bag Pipe

5. Sitar

6. Koto

7. Shakuhachi

8. Orchestra Hit

7. French Accordion

8. Tango Accordion

7. Cello

8. Harp

BRASS

WOODWIND

1. Flute

2. Clarinet

3. Oboe

1. Solo Trumpet

2. Muted Trumpet

3. Trombone

4. Brass Section

5. Brass Section 2

6. Synth Brass

7. Analog Brass

8. Jump Brass

4. Pan Flute

5. Recorder

6. Soprano Sax

7. Alto Sax

8. Tenor Sax

– 31 –

STYLE LIST

(FOR US and AUSTRALIA)

(FOR OTHERS)

BIG BAND / SWING

1. Fast Big Band

BALLAD

BIG BAND / SWING

1. Fast Big Band

2. Slow Big Band

3. Medium Swing 1

4. Medium Swing 2

5. Slow Swing

BALLAD

1. Modern Ballad

2. Modern Ballad 2

3. Pop Ballad

4. 50’s Orch Ballad

5. 60’s Ballad

1. Cont R&B Ballad

2. Modern Ballad

3. Pop Ballad

4. Mod Country Ballad

5. 6/8 Ballad

2. Medium Big Band

3. Slow Big Band

4. Medium Swing

5. Medium Swing 2

6. Slow Swing

6. Folk/Rock Ballad

6. Night Club

6. 50's Ballad

JAZZ

R&B

JAZZ

R&B

1. Jazz Pop

2. Jazz Pop 2

3. Latin Jazz

4. Latin Jazz 2

5. Jazz R&B

6. Jazz R&B 2

1. KC Blues

2. Slow R&B

3. Fast R&B

4. Blues Rock

5. Slow Blues

6. Gospel Shuffle

1. Smooth Jazz 1

2. Smooth Jazz 2

3. Jazz / Pop

4. Jazz R&B

5. Latin Jazz 1

6. Latin Jazz 2

1. KC Blues

2. Slow R&B

3. Blues / Rock

4. Slow Blues

5. Gospel Shuffle

6. Slow Gospel

50'S

WALTZ

50'S

WALTZ

1. 50’s Rock

2. 50’s Rock 2

3. 50’s Rockabilly

4. Rock Rhumba

5. 50’s Ballad

6. 50’s Ballad 2

1. Classic Waltz

2. Traditional Waltz

3. French Waltz

4. Modern Waltz

5. Country Waltz

6. Country Waltz 2

1. 50's Rock 1

2. 50's Rock 2

3. 50's Rock 3

4. 50's Rockabilly

5. 50's Folk

1. Classic Waltz

2. French Waltz

3. European Waltz

4. Modern Waltz

5. Jazz Waltz

6. Rock Rhumba

6. Vienna Waltz

60'S

COUNTRY

60'S

COUNTRY

1. 60’s Pop

1. Country Shuffle

2. Bluegrass

3. Train Beat

4. Redneck Rock

5. Texas Swing

6. Mod Country Ballad

1. 60's Beach

2. 60's Pop

3. 60's Rock

4. Motown 1

5. Motown 2

6. 60's R&B

1. Country Stomp

2. Train Beat

3. Redneck Rock

4. Modern Train Beat

5. Bluegrass

2. 60’s Pop 2

3. Surf Rock

4. 60’s Rock

5. 60’s Folk Rock

6. 60’s Motown

6. Country Rock

POP

LATIN

POP

LATIN

1. Pop

2. Pop 2

3. 70’s Pop Ballad

4. 70’s R&B

5. Disco

1. Bossa Nova

2. Beguine

3. Cha-Cha

4. Samba

5. Salsa

1. Philly Soul

2. Cont Pop

3. 70's Pop

4. Disco 1

5. Disco 2

6. Disco 3

1. Bossa Nova 1

2. Bossa Nova 2

3. Salsa

4. Samba

5. Calypso

6. Mambo

6. Disco 2

6. Tango

ROCK

TRADITIONAL

1. Medium Show Beat

2. Foxtrot

3. Polka

4. Hawaiian

5. Dixie

ROCK

1. Latin Rock

2. Folk Rock

3. Slow Rock

4. Classic Rock

5. 70's Country Rock

6. Rock Shuffle

TRADITIONAL

1. Soft Shoe

2. Polka

3. Cha Cha

4. Tango

5. Jive

6. Rhumba

1. Pop/Rock

2. Country Rock

3. Slow Rock

4. Pop Shuffle

5. 80’s Rock

6. Pop Reggae

6. March

– 32 –

CONCERT MAGIC SONG LIST