7200 Head,
D Y
72115 & 72410 Combos
WARNING!
PLEASE READ THE FOLLOWING LIST CAREFULLY.
A. ALWAYS Ensure that a good quality mains plug conforming to the latest BSI standards is
fitted-(UK only).
B. ALWAYS wire the plug in accordance with the colour code attached to the mains lead (UK
only).
C. DO NOT attempt to remove the amplifier chassis. There are no user serviceable parts inside.
D. ALWAYS have this equipment serviced or repaired by competent, qualified personnel.
E. NEVER under any circumstances, operate the amplifier without an earth.
F. NEVER use any amplifier in damp or wet conditions.
G. ALWAYS ensure that the impedance of the speaker or speakers connected does not fall
below the amplifiers minimum impedance rating.
H. NEVER obstruct the ventilation grills.
I. ALWAYS use correct type of speaker leads when using extension cabinets.
J. PLEASE READ this instruction manual carefully before switching on.
Constant exposure to the high sound pressure levels of which this amplification system is capable could
result in permanent damage to your hearing.
Although individuals will vary in their susceptibility to noise induced hearing loss,
almost everyone will have their hearing impaired if exposed to intense sound levels for a
sufficient length of time.
To prevent the occurrence of permanent hearing loss, it is advisable to wear ear plugs or
protectors if you are going to be exposed to high noise levels for prolonged periods.
Introduction
The Marshall Dynamic Bass System was carefully designed using innovative new circuitry to provide you
with a combination of superb sensitivity and excellent control plus incredible levels of dynamic power to project
and respond to the full range of contemporary bass sounds.
Superb sensitivity comes from the fully blendable mixture of a valve or solid state input pre-amp. The solid-
state section offers fast, percussive attack, as favoured by many modern players, whilst the single ECC83 valve
provides the smooth warmth and more compressed classic tone exclusive only to valve technology.
Excellent control is derived from comprehensive EQ and compression facilities including primary EQ, where
Low and Hi rotary tone controls combine with deep and bright switches to give amazing depth and clarity to
your basic sound. More precise tone shaping or the ability to set up a completely contrasting sound, is available
from the switchable 7 band graphic EQ, which has been tailored to cut and boost those frequencies that are
fundamental to dynamic bass performance. The built in compressor provides further control and features
industry standard technology for smooth operation and the highest performance quality.
Knowing how important headroom and clean power are to accurate, powerful bass reproduction led our
designers to engineer a system with headroom that goes far beyond the normal limits. Whereas a conventional
bass amplifier has an RMS to peak power ratio of 1:2, the Marshall Dynamic Bass System dramatically
increases this ratio to 1:10, giving you five times more headroom than an ordinary bass amplifier.
The result is a no compromise bass system with an RMS rating of 200 watts capable of delivering peaks of
2000 watts. This ensures that the system has the energy to respond accurately to even the widest dynamic range.
In sound terms this extended headroom provides incredible clarity and punch to give you the most responsive,
rewarding bass amplification system that you've ever played through.
Using the Dynam ic Bass System .
Make all the external connections such as Speaker Outputs (18), the Send (20) and Return (21) to
and from your effects processor, the output to your guitar tuner and connection to the footswitch for
the Graphic EQ (23) if required.
Select the correct input to match your bass.
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Generally speaking the Low-Sensitivity input (2) suits bass guitars of high output levels e.g. active
basses and the High Sensitivity input (1) suits lower output instruments (passive basses). As there are so
many different output levels from the many types of instrument available to you, you should try both
before making the decision.
Set the Primary EQ to flat and make sure that the Deep (5), Bright (7), Compression (13) and Graphic
EQ switches (10) and the Master Volume control (14) are all off.
By turning the Gain control (3) until the peak LED lights occasionally you will be setting the
optimum level of input gain. Too little means that the amp is working inefficiently, too much can cause
unwanted distortion.
The Gain control (3) may need to be backed off accordingly if you boost the EQ, especially in the
lower frequencies.
Note: (Even with the gain control off you will still get a sound through the speakers on turning up the
Master Volume).
Turn up the Master Volume to the desired level and set-up your basic sound using the Primary EQ
controls (6 & 8) combined with the Deep and Bright switches (5 & 7). The character of the sound can be
changed using the pre-amp Blend control (4) from the brighter more percussive solid state tone to the
warmer more compressed vintage valve tone.
When using the built in Compressor the compression threshold is set using the Gain control (3) and
the amount of compression by the Depth control (11).
The clean power of the D.B.S is so dynamic that you may not need any further EQ although any
amount of fine tuning of tone can take place using the 7 band Graphic Equaliser. Alternatively you can
set-up an entirely different sound on the graphic then use the footswitch to switch between the two. This
incredible clarity also means that you won’t have to compromise your EQ settings as the volume
increases , as is often the case with normal bass amplification.
7. Bright Switch
Push switch to add brightness and attack to the
top end of the primary EQ.
Models 7200, 72115 & 72410
Front Panel Functions.
1. Hi-sensitivity Input
Input for the connection of bass guitars with
lower output levels.
8. High Prim ary EQ Control
Rotary control that gives + or - 15dB cut or boost
of the primary EQ upper frequencies.
2. Lo-sensitivity Input
Input for the connection of bass guitars with
higher output levels.
9. Graphic Equaliser
7 Band graphic equaliser offering + or - 15dB cut
or boost (centre flat) of the frequencies that proved
to be the most effective for bass reproduction in our
exhaustive listening tests.
3. Gain Control with Peak LED
Controls the level of input gain.
For optimum signal level the peak LED should
light occasionally.
10. Graphic On/Off Switch and
Indicator
4. Pre-Am p Blend Control
Push switch to access or by-pass the graphic with
LED indicating on/off status. (The graphic is also
footswitchable by any standard on/off footswitch).
This control fully anti-clockwise routes the signal
through purely solid state input pre-amp circuitry.
Turned fully clockwise the signal is routed through
an ECC83 pre-amp valve circuit. The various
positions in between offer numerous combinations
of the brighter more percussive solid-state tone with
that of warmer more compressed valve tone.
For the footswitch to function the front panel
switch must be in the ‘Off’ position.
11. Com pression Depth Control
Rotary control for selecting the depth of
compression. Note: This control works in
conjunction with input Gain control (3).
5. Deep Switch
Push switch to add extra bottom to the low end of
the primary EQ.
The input Gain control should be used to set the
threshold level and the Depth control to select the
amount of compression.
6. Low Prim ary EQ Control
Rotary control that gives + or - 15dB cut and
boost of the lower end of the primary EQ.
12. Com pression Threshold Indicator
LED which indicates when the compression
threshold is reached.
4
13. Com pression On/Off Push Switch
Push switch which activates the compression
19.Tuner Output J ack
Instrument level buffered output for direct
circuit.
connection to an electronic tuner.
14. Volum e Control
Rotary control to set the overall output level of
20. Effects Send J ack
Jack socket to connect to the input of an external
the amplifier.
effects processor.
15. D.I. Pre or Post EQ Selection
Switch
Selection switch to offer a studio or PA engineer
with the choice of direct signal either before or
after EQ and compression has been added.
21. Effects Return J ack
Jack socket to accept the output from an external
effects processor. Note: (The output level of the
effects loop is nominally centred around + 4 dB
which makes it compatible with most rack effects
processors).
16. Power Switch
22. Line Output J ack
Jack socket ideal for connection to home
recording equipment.
On\ Off mains power switch with LED indicator
and featuring soft start circuitry to minimise switch
on and switch off noise.
23. Graphic Footswitch J ack
Jack socket for the connection of a single
On/Off footswitch for the Graphic EQ.
Models 7200, 72115 & 72410
Rear Panel Functions.
17. Mains Input Connector
24. Balanced D.I. Output
For direct connection to recording or PA mixing
For connection to mains power supply.
desks and switchable pre or post EQ (15).
18. Twin Speaker Outputs
For connection to loudspeakers. The minimum
25. D.I. Level Selection Switch
Selects 0dB or -20dB D.I. output levels for
total load is 4 Ohms.
maximum interfacing flexibility.
-72115
26. Earth Lift Switch.
As the impedence of the internal 15" speaker is 8
Ohms, the connection of an extension cabinet (8
Ohms only) is possible.
For the elimination of earth loops when
connecting to other earthed equipment.
-72410
Please Note:
As the impedence of the internal speakers is 4
Ohms, it is NOT possible to connect an extension
speaker.
Models 72115, 72410 are fitted with castor cups, castors
can be ordered directly from Marshall Amplification plc.
Please use stock code: ‘CSN’ when placing your order.
The Cabinet Range
Using the design skills and production techniques developed at Marshall Amplification over thirty two years,
we have produced two cabinets which are perfectly suited to the new 7200 Dynamic Bass amplifier which can be
used singly or together.
Both cabinets use the highest grade birch ply and are ported and braced to exactly complement the specially
designed, heavy duty loudspeaker units.
Model 7041 4x10 with horn (400 watts RMS -8 Ohm s).
The 4x10 with horn can handle a massive 400w RMS for compatibility with the 7200 or any other bass
amplifier with standard quarter inch jack speaker connections
For added versatility and to allow you to tune the 7041 to suit your style and sound, we have included an
infinitley variable horn to boost high end frequencies.
This cabinet delivers excellent full range response if used by itself or can form part of a stack system if used
in conjunction with another 7041 or the perfectly matched 7015.
Dimensions: Width 606mm x Height 606mm x Depth 370mm.
Model 7015 1x15 (200 watts RMS -8 Ohm s).
The compact 7015 gives an impressively full tonal response accross the whole bass frequency range -making
it the ideal portable partner for the 7200 or as part of a Marshall bass stack in conjunction with the 7041. This
cabinet is rated at 200 watts and features a specially selected heavy duty 15" speaker.
Dimensions: Width 606mm x Height 606mm x Depth 370mm.
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Front Panel.
1.
10.
2.
3.
5.
7.
14.
16.
12.
+15dB
P RE- AM P
BLEND
+15dB
INP UTS
G AIN
EQ UALIZ ATIO N
LO
CO M P RESSIO N
VO LUM E
P O W ER
HI
0
0
S
Y
S
T
E
M
S
Y
S
T
E
M
D.I.
.
.
.
.
.
.
.
.
+15
.
GRAPHIC
.
S
V
-15
+15
-15
DEEP
BRIGHT
PEAK
HI
LO
-15dB
PRE
-15dB
DEPTH
S-SOLID STATE
V-VALVE
POST
80
160
320
640
1250 2500 5000
DYNAM IC BASS SYSTEM
4.
6.
8.
9.
11.
15.
13.
Rear Panel.
20. 21.
19.
22.
17.
EFFECTS
TUNER OUT SEND
EFFECTS
RETURN
LINE
OUTPUT
M AINS INP UT
230v -50 Hz
SP EAKER O UTP UTS
(200 Watts RMS)
(Minimum Load 4 Ohms)
500 VA
GRAPHIC
FOOTSWITCH
D.I.
LEVEL
EARTH
LIFT
WARNING! No user serviceable parts inside;
refer servicing to qualified personnel only.
AVIS! Risque de choc. Ne pas ouvrir.
WARNING! Fire & Shock Hazard: Do not expose this
unit to rain or moisture. This Apparatus Must Be Earthed.
Do not open.
BALANCED D.I.
OUT
Manufactured in Great Britain by:
Marshall Amplification plc, Bletchley, Milton Keynes.
18.
23.
24. 25. 26.
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